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Olmec: People of Stone

September 24, 2024

My buddy might be moving to Japan! So we decided to get in one more sketching outing before he heads off. (Actually he’ll be back, it’s only a scouting trip for now, but soon!) I’m impressed with his sense of adventure. But yes! We decided to take in the Olmec exhibition at the Pointe-à-Callière.

This giant head is as tall as a tweenager and five times as wide. It looks like a big baby head, but the meanest big baby you ever met. He’s probably a warrior, but it might be an athlete, playing the mesoamerican ball game ōllamaliztli.

The Olmec are my favorite of the Mesoamerican peoples, artistically speaking. I love the strange distortions in their art style. These slouching fellows with the elongated skulls are about the size of a GI-Joe, carved from jade, and were found placed in a conversational grouping of about a dozen figures, buried in a grave mound.

Who knows the meaning of these carvings? But they look like little wizards having a deep conversation.

I didn’t check if there was any information on this stone head – The label just says; ‘Zoomorphic Head’.

It sure looks like a dragon hey? It’s hollow, with an opening in the skull (as with both of the figures coming up next) and it’s my completely unsubstantiated opinion that they would have placed smoking fires inside, sending up spooky tendrils; completing the dragon-like illusion.

The next two figures are from later periods; the imagery in these areas gets more and more ornamental over time; more fun to draw :)

The oddly flattened crown on this figure was probably backed with a flowered or feathered headdress making it twice as large and very colorful. And, the ornaments next to the ear of the larger face are dangling human hands! The reverse side of the stone figure below is a human skeleton facing the opposite direction.

Very ominous!

I have to imagine him as a high-priest wearing a stretched human skin on his head. There’s also a spherical hole in the center of the chest – just the right size for a human heart.

Just saying.

We know these cultures practiced human sacrifice, but there was no discussion at the exhibition what that opening in the chest was for.

Another detail you probably won’t spot; the portly gentleman below is wearing a belt made of entwined serpents. I love this sort of fantastical, mythological stuff! Magic was real to people in those days. I should spend more time reading about these old priests and their gods, but really, I just enjoy sketching and imagining what things were like.

All sketches 6×9″ sketchbook pages, drawn at the museum and painted in a nearby café.
Pigments; mostly Goethite and Pyrrole Orange. The darks are Indigo, Bloodstone and Tyrian Purple.

Le Dépanneur

September 13, 2024

Do you know the Quebecois word “Dépanneur”?

It’s from the verb dépanner meaning ‘to fix’ or ‘to repair’, so a dépanneur is a handyman, and a dépanneuse is a tow truck. < Ahh, gender in French. Tradition hey!

Around here it also means ‘corner store’. I’m not sure if they used to carry a few hardware items, but my guess is the meaning is more like “We’re here to lend a hand.”

This shop is out of business, and the apartments upstairs are empty; the windows are hung with plastic, but the hand-sawn wooden sign is still up, with its vintage Coca-Cola medallions. Used to be, these places were all over the island, offering the basic groceries: a can of ravioli or a box of cereal, or more likely your sixer of beer, pack of cigs and assorted dirty magazines.

These days these shops are giving way to cafes and the occasional vape shop. We always used to joke they were backed by the mafia so they’d never go out of business. I don’t know if the mafia is trading up? or if they’ve just gone all in on road maintenance for their money laundering.

So that’s the kind of little sketch I’m doing these days. About 5 inches high if that? Just sitting in a back alley, chatting with a buddy from USK and enjoying the last days of summer :)

2024 #30×30 Day 30! Crossing the Finish Line!

June 30, 2024

10×10″ Oil on Panel.

Crossing the finish line! Sad that it’s the end, but also kind of ready for a break:)

Uma Kelkar and I launched #30×30 on a whim seven years ago. Because we think it’s a great idea for students, but mainly because we wanted to do it ourselves! Anyone who continues making art, year on year, will develop their own rituals and superstitions. We all gravitate towards a working method that matches our brains. I’m sure it’s different for everyone, but if you have the right mix of over-thinking and attention-deficit that I have, a mad push followed by a collapse might be the only sustainable system.

The willingness to ignore all other responsibilities and simply focus on your work. I don’t know if it can be sustained for longer than thirty days at a time?

You can call it a marathon, or call it a sprint. Or call it a risk of public humiliation. You’ve promised to paint when you’re sick, paint when you’re tired, and paint when you’re sure nobody cares. But the real keys is; you’ve promised to broadcast every single thing you do, for better or worse, in real time.

That’s a powerful drug! The fear of letting people down works magic on my motivation :)

Oh sure, besides that, there’s an ‘attunement’ you get from painting every day. A refined sense of color-mixing, and a sensitivity to the physicality of the paint. With watercolor it’s an uncanny ability to sense the dampness of the paper and the dispersion of the paint. With oils it might be a master chef’s ability to feel the texture of ingredients under your knife.

These things can’t be measured with grams and milliliters. It has to be instinct. You need to be in the flow-state.

That’s the secret recipe: The sprint keeps your mind focused on your materials, the marathon keeps you showing up, the teamwork won’t let you quit.

I hope you’ve caught some of the magic.

Take care, please drop me some comments about your own marathon. How it feels to cross that finish line. Share your best work, share your epic fail, or share a story of what you discovered.

Ok! We’ll see you next year!

~Marc

2024 #30×30 Day 29

June 29, 2024

10×10″ Oil on Panel.

I think it’s clear what I’m doing with this series, which is choosing big huge views that are wide enough and vast enough to remove any specific details. They’re an abstraction of the landscape; no buildings, no cars, no people – nothing left but color.

Maybe most significant for me, an artist who’s done so much travelogue – they don’t come with a story about this or that place, or who discovered the view, or what trail to take up the mountain.

They’re a purely visual experience.

There’s a magic trick here; feeling the pull of the imaginary horizon, the sensation of space and depth, while simultaneously being confronted by the juiciness of the paint. The tactile surface simultaneously creating and destroying the illusion.

I’m not sure why I love the feeling so much, but I can look at these for hours. Letting them flip back and forth like the optical illusions they are.

It’s been a great 30×30, even though I’m breaking all the rules :) Including not pushing myself to get to thirty. I’ve always said to people: Do whatever you can. Go at your own pace. Don’t pressure yourself. But I’ve never taken my own advice.

If I do one more tomorrow, I’ll have made 22 paintings in the 30 days.

It’s very possible this is just what getting older is like! I’ve been relaxing, giving myself an entire month to simply enjoy painting, recapturing what I love so much about color mixing and mark making, and everything that oil painting does differently from any other medium.

I haven’t been experiencing the rush (and anxiety) of producing thirty paintings in advance (I’ve often done 30 in 15 days in order to make it work), scanning paintings, editing demo videos, engaging in social media on all fronts, all at the same time. And in return, I’m much more attached to these paintings. I really am painting for myself, after all these years.

So yes; it’s a weird seventh year of #30x30DirectWatercolor (but of course – all the past years are still here on the blog). Maybe it can be an example of how to motivate yourself, just for yourself. Ultimately, that’s the only thing you can do, if your artwork is going to continue to mature, and you’re going to keep up the drive year after year.

So thanks everyone, for helping me get to this spot today.

And if any of you have been doing the event this year, please post your #30×30 in the comments. Feel free to show off here with a link to your blog or your socials. Maybe we can put you in touch with a like minded artist near you :)

Ok, see you tomorrow for the big finish!

~marc

2024 #30×30 Day 27: Redux

June 27, 2024

10×10″ Oil on Panel.

Ok – so I just painted today’s painting again. A Redux, as they say. Trying to focus on working fast, loading tools, and painting thick. Laughably thick. There’s three thick paintings on this one panel :)

I was going to fast to bother with a lot of cold wax. It’s an extra step in the mixing. Cold wax is just bee’s wax and and encapsulated solvent, and maybe some other stabilizers – so it does dry faster than out-of-the-tube paint.

This one is going to take a few months to set up :)

Still not my favorite of the series, but much happier with it!

2024 #30×30 Day 27 : The Wrong Painting

June 27, 2024

10×10″ Oil on Panel

Stepping back for a minute to discuss this objectively; this one is a miss-step in my series. It’s important to choose images / compositions that support my vision. It’s not just a matter of choosing a dramatic landscape and copying. The works in this series are best if they’re built of big slabs, a ‘map of the earth’ kind of feeling, where the ridges of paint are almost a scale model or sculpture, rather than a drawing.

I think yesterday was a similar mistake. If get tricked into drawing a reference photo, and not letting the mark-making happen by instinct – they become too pictorial. Too much of an illustration.

The bottom line is, this one looks fine at a distance but it doesn’t have the magic up close. Too many brush strokes, too much drawing, and not enough slabs of paint!

Ok! Back on track tomorrow!

2024 #30×30 Day 26

June 25, 2024

10×10″ Oil on Panel

2024 #30×30 Day 25

June 25, 2024

10×10″ oil on Panel

Make marks, scrap them off. Make marks, scrape them off. Piles of paint get larger, colors tend towards neutral. The painting grows a thicker skin.

2024 #30×30 Day 22

June 22, 2024

10×10″ Oil on Panel

     “I can see right through it,” he says, neck craning, looking around in wonder.
     I hold out a steadying hand, fingers just touching his chest.

2024 #30×30 Day 21 : Above the Chaos

June 21, 2024

10×10 Oil on Panel

     “What are you calling this one?”
     “Not sure,” he says, “Rising Above?…the…Chaos?”