Citizen Sketcher

So there it is, the tenth year of the Marathon!

The final day was a bit of a grind – here’s the last 25 sketches.

I had more than a few failures on my last day! Definitely getting tired from being on my feet all day, up late and out early. I’m getting older – I used to be able to carry a tripod and a big bag of supplies, up and down, hill and dale, in the heat and humidity! Well :) What can you do.

Art is one of the few things that continues to get better the older you are, (until suddenly it doesn’t! – there’s absolutely a point of no return. Look what happened to Monet – cataracts causing him to paint over many of his masterpieces. It’s said he had assistants that wiped off some of the worst of his revisions in the later years. For certain, important canvasses were taken away from him to prevent them being overworked).

That doesn’t appear to be my problem :)

I need an assistant to push me to get some of my lifetime goals accomplished :)

I need more events like this to keep me making stuff!

It’s been a while since my last major achievement in life :) So I’m declaring this ten-year anniversary as one of those milestones :)

I want to thank everyone who emails me, or leaves a comment, and especially all those who are doing #OneWeek100People along with Liz and I.

Of course, the truth is, I wouldn’t have done any of this without you guys. It’s a tremendous privilege to draw alongside people all around the world.

I hope you’re all getting out with your sketching friends – or on your own like me this year – making time for your art, developing yourself, living your life the way you want, regardless of what is happening in this crazy world around us.

Every one take care out there, wherever you are.

But of course, we don’t have to wait till next year for #OneWeek100People – there is #30x30DirectWatercolor happening every year in June. So maybe I’ll see some of you come out for that :)

Ok, be safe, and make art!

~Marc Taro

One of my late-night sketching opportunities was a public performance at Tension Montreal.

(They’re kind of a community center for the sex-positive alternative lifestyle crowd in town.)

Montreal has always had a strong Japanophile slant (< omg that’s bad, no pun intended). We have what seems to be more than our fair share of anime cafe’s, Japanese film festivals, etc.

Tension is kind of a dojo, offering both beginner training and free-practice opportunities in the art of Shibari (縛り), which literally means “to tie” in Japanese, and originates from Hojo-jutsu, a martial art used by Samurai to restrain captives.

Today it is an artform emphasizing aesthetic patterns and the human body. To crib a definition from the net; “Shibari emphasizes trust, vulnerability, and emotional exchange. The act of tying and being tied fosters a connection where the rigger (person tying) and the bottom (person being tied) communicate nonverbally through the rope. Masters of Shibari describe it as a way to express love, emotions, and energy, with the rope serving as a medium for emotional and physical dialogue.”

Certainly there are elements of BDSM if that’s where you want take it – though Shibari is considered a bit separate from the related art of Kinbaku, which is overtly erotic. (Even pornographic).

While Tension does host a regular life drawing group, this evening was their annual open house – more of a stage performance, with a continual rotation of volunteer artists and models performing complex ties and suspensions.

Quite challenging for a sketcher!

Despite the fact the model is tied up (or down) – they’re still in constant motion. Never in one pose for too long – as there is a lot of concern given for blood circulation and general safety and comfort. The rigger is moving constantly making adjustments. Over all, I had more fails than successes in my drawing), but that’s ok.

I do love tearing up a bad drawing on the spot. It always makes people gasp :)

Here’s a few of my favorites from day two’s Morning Metro Sketching.

These puffy down-filled jackets are all the rage this year. I had to laugh at the look of the hugely inflated jacket contrasted with her skinny legs in tights.

Très Chic!

It’s fun learning to shape masses with color. I can honestly say I’ve never drawn so many puffer coats.

It’s hard to choose favorites – but I think this one is pretty emblematic of my approach this year. Big blocks of color, drawing done with the reserved white, and working fast so the colors melt inside a shape – but working one block at at time in an orderly manner, so the colors don’t break the shape.

It very much helps that it’s super dry in Montreal this time of year. You need lip-gloss, and moisturizer. The skin on my hands and feet crack every winter. This kind of dryness makes it easy to paint blocks of color without losing your drawing.

Draw with the whites! Draw with the edges of shapes!

They call the underground mall which surrounds our Metro system the RESO (Réseau d’Échange Souterrain). There’s 20 miles of tunnels under the downtown core. You can get to three different universities. A couple of hospitals. It’s only a quick jaunt out in the cold to all the major museums. And we have a number of very good food-fairs down there – Quebecers do love good food!

So that’s 21 sketches for the day shift, on day two. I was sketching for maybe four or five hours – minus eating, minus travel, (most of my time is spent moving from place to place), so I’d guess these average 10-15 minutes a sketch.

I hope your marathon is going equally briskly! And hey – send me your links guys! I want to see what everyone is drawing this year. It’s probably not puffy jackets :)

~m

So I did this year’s marathon in three days.

My natural clock is to get up late – say 11? So I can be in the metro by 1pm, wander about like an itinerant sketching-hobo all afternoon, giving me plenty of chances for lunch, snacks, and boba tea – then attending a drawing event at night.

(I’m just going to things on Meetup.com this year, so the events are less diverse than in previous years.)

Tonight was a traditional gesture-drawing session with 2, 5, and 10 minute poses.

I prefer gesture over long-pose, as you get more drawings. Though in the past I’ve done the same in longer poses by moving around the studio and getting multiple angles per pose.

These are the same paper as my subway sketches of course (same day). It’s an A5 (roughly 6×8″) Clairfontaine Aquapad; which is a sized pulp-paper sketchbook sheet – but gummed, not bound. I buy the pads, strip the covers and separate the whole block so they’re just a stack of cut sheets. I like this paper – nice and waterproof – the color can be lifted easily, pigment floats a good distance, and you get nice crisp edges, which I like. I’d buy the paper in large sheets but my local store doesn’t offer it, and this also saves a lot of cutting down!

Quick tips for watercolor during quick poses: >> Work on loose sheets so you can lay them out to dry >> Bring a number of backing boards (4-6) >> If you don’t have a table to work at, sit on the floor so you have enough space to do this >> Just use two or three colors (pink and blue here) and think value, not local skin tones >> A dry climate like Canadian Winter helps – paper doesn’t wrinkle, pages dry fast >> Good lighting helps, just paint the shadow shape, no color in the highlights :) >> If you’re working small like this, you can edit the figure – move limbs, crop limbs, don’t feel you have to fit the whole pose in a small sketch.

So that’s 14 for the evening, and it was 10 on the subway this AM, so 24 is just fine for Day One. You need 20 per day to stay on track to 100.

I have, of course, done all 100 in a day – but you have to either “be expressive” or “sacrifice quality” depending on how you look at things :) I enjoy doing it that fast :) But I’m also enjoying slowing down and working with color. It’s fun to describe form with just color and temperature shifts.

~m