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Watercolor Figures Wet-into-Wet

November 10, 2016

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A few weeks back I’d been sketching at the UQAM intensif. Maybe you remember me saying I felt those paintings were ‘over drawn’? Relying too much on the pencil line.

The other day I dropped into an afternoon session at the CCGV, and this time – left the damned pencil at home! It’s the only way to break myself of my drawing :)

Or, more honestly – to make myself draw with the brush, rather than the line.

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This was a different model, and shorter poses – but just look at how interesting the washes are, (above) as compared to when you’re tinting a pencil drawing. (below).

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I was also determined to work faster, and wetter. These two are the same pose. Instead of using all my time striving for perfection, I went back to the art school approach, and did multiple sketches, trying to get as many as possible in the available time.

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The other advantage of working two (or three) at once – you can just keep moving. While the paint is wet on one – skip to the other. Here’s a pose and a re-take on the head. I was trying for a better likeness – but also a more interesting figure/ground.

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So, that’s the way it goes with this strange pursuit of watercolor painting. Back and forth between direct brushwork and more precise drawings, continually looking for incremental improvement :)

13 Comments leave one →
  1. George bacich permalink
    November 10, 2016 9:40 AM

    Great. Wish I Could do that

  2. November 10, 2016 9:51 AM

    These are wonderful – so loose and so expressive. Thank you Marc for always inspiring me/us to loosen up, stretch, discover, and improve.

  3. November 10, 2016 10:10 AM

    Super, I love them. I recently got a large mixed media pad to take to Life Drawing with a view to using watercolor or ink. Your work inspires me to try. May I ask what the color is you used for skin tone….maybe Perylene Maroon?

  4. Rita Cleary permalink
    November 10, 2016 10:21 AM

    One word: WOW!

  5. November 10, 2016 10:23 AM

    Hey Carmel – yes Perlyne Maroon as the base for flesh. Some Moonglow and Bloodstone Genuine for hair, and the occasional orange tint with Qunn Gold Deep. Some Graphite Grey and Neutral Tint in the backgrounds. Here’s a post when I was first trying this formula out: https://citizensketcher.com/2015/02/14/testing-some-new-colors-plus-finally-getting-a-nice-portrait/

    • November 10, 2016 12:20 PM

      Thanks for the tip on the colours you’ve used for the skin tones – those look like some Daniel Smith names to me – I’ll try to look them up and see which of my winsor and newton colours come closest! Beautifully rich and expressive sketches though – well worth leaving your pencil at home to get these!

  6. Charles Marling permalink
    November 10, 2016 1:48 PM

    These are wonderful studies

  7. November 11, 2016 6:43 AM

    Amazing! I do like your pencil and wash images enormously but I see what you mean about those drawn with the brush. It must be wonderfully liberating.

  8. B. Fuller permalink
    November 11, 2016 1:53 PM

    Beautiful! Do you mind saying what size paper and brush you were using? I have done some watercolor only portraits, and while I loved the process, and even liked the result, I had trouble keeping distinct details. I suspect I mostly need more practice, (and patience for letting the paint dry before I add to it – your suggestion about doing a few at the same time is brilliant), but I was also wondering if the size of my paper might be relevant. I will have to experiment and find out!

    • November 11, 2016 2:02 PM

      Hey there – so – often I go to figure drawing with a bunch of scraps of paper. These are mostly done on the back of older paintings :) So some are nice sizes like 9×12″, but others are just random. I’m going to say none are smaller than 8″ high, none bigger than 14″. Brushes are #7/8 Winsor and Newton Artists’ Watercolor Sables in pointed round, and #3/4 Da Vinci Sable Mops. And a #5 DaVinci Series 803 Blue Squirrel Oval Wash/Filbert/Cat’s Tongue/Whatever they call this one.

  9. November 11, 2016 6:59 PM

    Just too awesome, welldone

  10. November 12, 2016 8:32 AM

    Thank you, Mark, this was very inspiring. Must try that perylene maroon…

  11. November 14, 2016 2:07 AM

    William Turner was working all the time with many paintings at once. It’s a good idea.

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