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We Are Not Amused

March 9, 2011

Walking downtown today (actually going to a meeting concerning fund raising/marketing initiatives to do with urban sketching activity in Montreal – so that’s exciting – but not likely to turn into reality for a fair while).

I was passing by the Royal Victoria College on Sherbrooke and had to laugh at the statue of  Queen Victoria out front – engulfed in a cloak of snow and surrounded by four foot icicles. She and I agree on this winter stuff. We are not amused.

From Heaven to Earth

March 6, 2011

Sketch of Cathedral Marie Rienne du Monde, Montreal

This weekend I had the chance to meet up with fellow urban sketcher Matthew Brehm for an epic sketchcrawl through some terrible weather.

Our first refuge from the unrelenting drizzle was the Cathedral Marie-Reine-Du-Monde. Matthew is an expert on the architecture of Rome; he runs a sketching school there every summer. So this had to be kind of amusing for him – as our’s is a 1/3 scale model of St. Peters Basilica. The incredible shrinking cathedral.

My next brainstorm was the newly re-opened Biodome. Here was a chance to escape to a tropical forest. Unfortunately, a few bazillion families had the same idea. None-the-less; we managed to make a few quick impressions inside the giant greenhouse. At one point  when I was drawing the Alligators – I knew I was blocking this kid who really  wanted up to the rail – but hey – I’m working here kid! Suck it up. You can see it later on the ‘tubes.

The Biodome, with it’s artificial environments enclosed in their separate pods, reminds me of this (terrible) old Canadian tv show “The Starlost”. The details are blurry – it took place on a vast starship with all these geodesic domes each containing a preserved civilization. Some kind of giant space ark designed to save earth’s cultures. Every episode had the cast entering a new ‘city in a bottle’ and facing some crisis or other. Possibly some childhood memories of the show inspired the designers of our ‘dome?  In any case  – it does make a fine climate controlled sketching environment.

The Redpath Museum

February 25, 2011

It’s snowing like crazy again in Montreal – so if you want to do some urban sketching, you need to find something indoors.  I’ve had the Redpath Museum on my list for a while now, so a snow day was all the excuse I needed to head down to the Mcgill Campus.

Turns out, this is an awesome little museum. Really fun place.  Packed to the rafters with zoological, ethnographic and paleontological specimens.

The Redpath is the oldest purpose built museum in Canada, (build at the behest of a Sugar baron, one Peter Redpath), which dates it back to 1882. The structure is classified as ‘Greek Revival’ – but that sounds too dry. I’d call it  ‘Victorian Ebulliance’ .

Something about the whimsical design of the building seems to have influenced the curators. The exhibits have an old-school cabinet of curiosities feel.  Some of the collection makes little sense – such as a  stranded Japanese suit of armor that’s sitting amongst the dinosaurs and stuffed wolves. But the randomness just makes it more fun. Like a carnival side show; but a Carnival of Science !

I particularly liked the raptors mounted on little perches around the windows.  Drawing these birds against the blizzard outside was fun.

The stairs up to the gallery level are guarded by a taxidermy trio of African animals. I can only assume there’s no where else to put them. I liked the look of this Ibex watching you from the landing.  I’m sure I’ll be heading back here for some more sketches soon.  If just for the variety of skulls one could draw!

Ila Design – ancient gold, brought to life

February 15, 2011

An esoteric craft such as goldsmithing is the kind of thing that leaves me inspired, and simultaneously doubting I’ll ever master something that….tangible. How can you not love an art form where you get to wield a flaming torch and hammer pure gold?

It puts you into some kind of Lord of the Rings fantasy world. Talismans and magical rings emerging from the smoke and sparks of the forge. In this world of iphones it seems dedicated beyond belief.

So, I was especially excited to visit the Montreal studio of goldsmiths and sculptors Lydia Ilarion and Marin Marino.

The husband and wife team of artists live and work in a lovingly constructed space they call Ila Design. (http://www.iladesign.com/).

Throughout the studio you’ll see furniture of their own design – handmade lamps, ceramics, and cabinetry. I was uniquely amazed to see Lydia’s bronze three-chambered crematory urn. Decorated with mythological creatures, it is designed to hold the two of them and their dog. I’ve always felt an artist should design their own funerary items, but I’ve never met one who actually did it. I’m getting off track – but this is a really incredible kind of sculpture. I mean, there’s some gravitas there!

While we sketched Marin at work, he entertained us with stories of his background as a museum restoration artist in Sofia, Bulgaria. He has restored some outstanding examples of ancient Thracian gold and silver, and continues to create his current designs with the icons of that and other ancient cultures. It’s astonishing to me that humans made such things in 5 BCE – and then doubly amazing to meet someone who single-handedly reconstructed incredible artworks from scattered fragments.

If you’re intrigued, you can find out more about Lydia and Marin at www.iladesign.com.

This was a unique opportunity to sketch a master craftsman in action. I can see doing an entire series on artists and craftspeople at work. If you know anyone who fits that description – and would possibly enjoy the experience of being sketched – please contact me! (Keep in mind, I’m based out of Montreal – but I would be willing to travel for the right thing).

Run Dog Run

February 9, 2011

Last weekend we went way out to the western edges of the island to watch some sled dogs haul kids around the park. I’m not traditionally a dog guy…but these critters were pretty charming. From their freaky bright blue eyes with rocker eyeliner to the way they spazzed out when they were on the leash waiting for the chance to pull.  Pretty cool dudes these sled dogs.

This is one of my current favorite tricks – the composite drawing.  Each of these dog pairs is on their own page – so I have a chance to try them out a few times. The set of three drawings gets collaged together in photoshop.

The good thing about this kiddie run – the track was so small, they’d be back around every three or four minutes.  In between I was drawing portraits of the lads waiting to pull.

Jose Marti Square, Havana

February 3, 2011

Here’s a composite sketch of Jose Marti Square in central Havana. It was late in the day, the sun was going down fast. I positioned myself so that the glare of the sun was directly eclipsed behind one of the towers on the Grand Teatro, and began to rapidly sketch the square right to left. As I sped through the panorama I’d draw across the page onto a new sheet – and also adjust my position so the blinding sun would be in turn behind the statue of Jose, or screened by the palms. You really couldn’t see much inside the big backlit shapes of the buildings.   Made for an interesting drawing – with the subject only half seen through the glare.

It was rush hour – a steady stream of people were moving across the square – leaving work and heading for the overcrowded busses that would take them home.  But the other thing that was going on was my first experience in Havana with outright begging.  Of course I’d been meeting people the whole week who were selling things, or who clearly worked for minimal wages in hopes of seeing tips from foreigners.  But unlike places I’ve been in Southeast Asia or  South America, I really didn’t experience any people systematically begging. Far fewer in fact than back in the US/Canada.

However this time there was an old woman, perhaps in her 70’s or 80’s. She was quite aggressive – coming straight over to me, standing very close in my personal space, and insistently whispering in a low pleading monotone. She’d clearly had a hard life – face ravaged by poor nutrition, bad dental work, a lifetime of tropical sun. None too clean either – dressed in rags,  something stuck to her face – food? Something I didn’t work too hard to identify. I was drawing as quickly as I could to catch the last light. As I moved with the sun, she would shuffle closer, consistently pleading.

Now. I never really know what to do in these situations. Clearly – she could use some money. But of course – so could many many other people I’d seen. Just in a five block radius there were young guys selling themselves to tourists, kids playing near corpses of dogs on the street, regular guys  working  construction in cheap shoes with their grandfathers hand tools.   How can you say which person is the one you’re going to reward? Everyone here is in the middle of a untenable situation.

Then there’s the issue with the tourist economy.  When we arrived our ‘greeter’ (I won’t say guide, as they really just give you a quick lecture and then drop you at your hotel), was very insistent that we were *not allowed* to obtain local currency (pesos), and that nobody was supposed to sell us anything outside of ‘nice’ shops – where we would pay in CUCs  (tourist money). The system is to ensure that tourists pay cheap-for-us but inflated-for-locals prices. So sure – it’s a tax on tourists. We don’t really need to get the incredibly low local prices – I can see the ‘fairness’ in that.  But the problem is, we can’t easily spend money just anywhere we feel like. You can’t patronize any small (independent?) shops without pesos. I wasn’t even sure locals were allowed to hold CUCs. I know now I could have given dollars to people – but I didn’t know then.

Either way I’m not exactly a rich guy. We had a tight budget for the trip – and pretty much spent it all on flight, food and lodging. If I *had* made a greymarket deal and bought some local currency I could certainly have afforded to be a lot more generous to everyone. Even a ‘starving artist’ can be a big tipper at 30 to 1 exchange.  But they don’t really want you to figure this out for some reason.  I can only conclude the official policy is to prevent locals from accumulating too much foreign currency. They certainly don’t make it easy.

So I did this drawing and chocked up that mixed experience. I don’t have a conclusion here.

What would you do? Give something to the old lady? Bring a pre-determined amount and give it out to whoever tugs the heart-strings each day? The logical mind says you can’t help the individual, you should support education and economic development. Teach them to fish, not airlift fish sticks. But you know, there’s some suspicion here that the government isn’t equipped to help people. So who’s the right organization to actually support?  Tough call.  What would you guys do?

So I’m working on this via some back channels. As I work on the collating the drawings from this trip, I’m thinking about what I can do to raise some money with the art. Plans are not set. But some portion of the book or the app or the gallery show that comes out of the trip will go to some kind of cause.  Not a great answer. Yet.

I will leave you with some drawings from the Necrópolis Cristóbal Colón. More about this fabulous place later.

30th World Wide Sketchcrawl

January 22, 2011

Today was the 30th world wide sketchcrawl! My jaunt  took me down Rue Parc, past the  Monument Georges Etienne Cartier (home base for the famous TamTam drum circle in more clement weather) and down to Rue Pins to the Royal Victoria hospital. The Royal Vic is this totally Hogwarts style building – always fun to walk by. The area from Rue Parc to Cote Des Neiges is stocked with impressive mansions. Made more so by their looming positions up on a steep cliff. (Which is festooned with huge icicles today). I was planning to end up at the Beaux Arts museum and do the ethnographic collection – unfortunately closed for renovation today. So instead I sketched some saints, some moody nuns from Pascal Dagnan-Bouveret’s “The Pardon” (1899), and a unreasonably lascivious death and the maiden statuette.  Hope y’all had a good sketchcrawl of your own!

New Years in Havana

January 8, 2011

Winter is not a friend to urban sketchers. Montreal isn’t anything as bad as my home town, Edmonton – where we experience permanent twilight in the shortest winter days. But still – it’s just not the place for street drawing this time of year.

On impulse we headed to Havana to spend the week of the new year’s break sketching the city.

We’d never been to Cuba, and I admit, I didn’t do sufficient research before we left. So there were a lot of surprises. I knew we’d see the results of the embargo – but I wasn’t really expecting the almost apocalyptic feeling of a city fallen to ruins.

In any given block you can find once-beautiful structures decaying before your eyes, but still in use. People live in buildings with crumbling balconies, collapsing upper floors, walls braced with timbers across alleys. Often it seems there’s no running water or electricity. Trucks come with drinking water every morning. People shout from the street for keys to be thrown down from windows. If there’s no phone or doorbell, what else can you do?

Work is being done everywhere to preserve the best bits of baroque architecture, but it’s clearly not keeping up to the challenge.  It’s common to see a fantastic art nouveau archway filled in with cinderblocks to stabilize the wall, or a pock-marked Romanesque pillar shored up with timbers. There’s one building right across from the capital that has been under repair for so long the four story scaffold is completely shrouded in vines.

It was a strange feeling for me – finding this layer of tropical decay to be beautiful – but knowing it represented a hard life for the people here. Even so, I couldn’t help but want to go everywhere and draw everything.

There were also some unique challenges. I’ve drawn in a lot of places – the US, Europe, Central America, Asia, – but the people here are more curious about drawing than anywhere I’ve found.

I had groups of at least five or more gather every time I stopped to draw – and stay for the entire drawing. Sometimes over an hour watching over my shoulder. They would watch for as long as I cared to draw. Commenting to each other, and trying to talk to me despite my lack of Spanish. The most unnerving would be young guys wanting to sell cigars, who would end up staying for a half hour, trying a new offer every few minutes. I now know more than I need to about what’s available on the black market in Havana.

Over the next couple of weeks, as I scan my way through all the drawings, I’ll do a few more posts on the places we sketched.  I think there’s a great book in here – capturing this fascinating Caribbean capital – before it’s all gone – either to ruin, or revolution.

Tribal Dancer, Lakita Lynes

November 26, 2010

Last night at the GameArtisans Night Sessions workshop we had the opportunity to paint Tribal Dancer Lakita Lynes.

I’m a huge fan of her style of modern dance. I love the exotic  fusion of Orientalism and Gothic sensibilities that makes Tribal so distinctive. I want to paint more of these people! They’re so fascinating.

 

Phone Sketching: Vellum App

November 22, 2010


[Commuters sketched in Vellum on iphone]

Some people seem to be able to do decent sketches on the train. My morning commute is always standing, packed so tight you couldn’t even get to your bag, never mind open a sketchbook. BUT! I’m still able to draw on the iphone. And everyone is so squashed in they’re trying to ignore you – so I can spy/observe with less anxiety.

I’m enjoying the way everyone is scarved and hoooded up. But what is it with this business – freezing outside and then ridiculously hot in the subway? Montreal Transit wants to make my subjects even more downcast! Thanks evil engineers.