Skip to content

#30×30 2026 : Crossing the Finish Line!

June 16, 2026

So I mentioned before, how this year I started my personal #30×30 unusually early? At the time of tonight’s life drawing session it’s been fifteen days for you, but thirty days for me.

I’m way out of synch with the official dates I know. But I like to be ahead of the pack, so I have time to be online making comments, but also – there is the anxiety of *What if I don’t have anything good to show!*

It’s a real problem when you’re the instigator of an event!

I feel an undue amount of pressure to put in a good performance :P

I do feel my marathon was a bit wandering this year. I didn’t have a well-defined project. I didn’t have any ambitions for an entry to a show. It’s just been a lot of fun days sitting in the sun sketching, or relaxing nights going to life drawing.

Don’t get me wrong – that sounds amazing when you put it like that :)

So in fact, I don’t really have anything good to show. Not really. I don’t have any one piece that is ‘a new bar for me’. I don’t have a set of things I would put in a show, or material for a new book.

I just have these drawing’s that I’ve been making.

Daily exercises.

The most basic goal of the marathon.

It’s truly surprising to me how drawing skill can wax and wane.

It’s not like – just because you can do something once, that you automatically keep that skill for the rest of time. It’s not like a learned fact, where once you learn it, you know it forever.

The truth is – if you don’t use your drawing, it just fades away.

I think musician’s have had it right for hundreds of years – daily practice is the only way to stay at a high level of performance.

Every year it’s the same with #30×30. After a long winter when I tend to stop drawing for months at a time – the first few drawings of spring feel so tentative, so pale and weak.

But the marathon works!

Painting every day, day in and day out, simply continuing – even if you’re not happy with your own work – the confidence arrives though simple repetition.

I’ve come to believe (and I wouldn’t necessarily have said this even five years ago) that drawing is a physical ability – it’s not intellectual.

It should be a reflex. Like doing a backflip. It’s a muscle memory that was built by repeated training, but in the moment it’s performed, it should be done without thinking.

If you stop to think in the middle of a back flip, you’re falling on your face.

You have to let your body do the flip, and then just stand there and take the applause :)

I hope you can see it in these drawings. It’s the confidence – and the simplicity of the execution that makes these work for me. Even if they’re just studies, not finished work. Not a real project that I plan to publish, or paintings I think I could exhibit.

Right now, this is what I think is the true value of art-making for an individual person. A hobbyist, or let’s say an enthusiast. Not someone who’s earning a wage with art, (or studying to do so) but someone who is making art for themselves.

Achieving that state where drawing is as personally rewarding as playing music, or taking a great walk though the woods. Experiencing your own drawing like one of the great moments of life.

I have in the past been known for teaching art, and for making tutorials and videos. (People keep asking me for more!) But I’ve arrived at a point where, I don’t know what I’m going to do next.

I mean – during the actual drawing – I couldn’t honestly tell you what the next move is. I don’t have a plan, or a process anymore. I can’t make videos right now, because I can’t just draw normally. I’m picking up the drawing, turning it sideways to make a mark. Working on three drawings at the same time. I think I’m done and I pick up the drawing again and change something. I really don’t know what or why I’m doing stuff. Which is not normal for me!

I’m trying to make drawing an automatic reflex. It’s kind of funny to hear myself saying the old art-school stuff; ‘Be in the moment’. ‘Let the drawing dictate what it needs’. ‘Don’t try to control the outcome’.

I used to just tune out my teachers. Saying to myself – “Just teach me to draw buddy! I don’t need the Yoda stuff :) ”

Hah!

So. Is that a good sign? A kind of artistic maturity? If I can say that with a straight face about my own drawings.

Well; I can’t say for sure.

All I can do is keep drawing!

I’ve hit my 30 days, and a fair few more than 30 sketches – without anything earth shaking to show for it – but on the other hand I’m feeling great about what I’ve been making the last few days.

(I’m still showing you work from the past, while I talk to you from the future :)

So I’m going to keep painting without any aspirations to make a masterpiece – doing life drawing, and painting random things from social media that call out to me – because I feel like I’m getting somewhere with my mindset about painting, even while the work itself is going though an awkward phase. (I feel).

And I guess I have to once again say thank you! Because it’s the fact I have readers out there that keeps me working. It’s the years of doing the Marathon that keeps me growing.

So – thanks you guys!

Keep drawing, keep sharing, and keep encouraging each other to make more art!

And let me know when you hit your 30 paintings. I love seeing what everyone has made together.

Ok – good night!

See you tomorrow!

~Marc

3 Comments leave one →
  1. KathAyres's avatar
    June 16, 2026 12:25 AM

    Your drawings will attract attention to whatever they’re about now, because the drawings are beautiful and dynamic. Looks like you’re in process of exploring life – and not requiring a destination or conclusion.

  2. Peri Nilan's avatar
    June 16, 2026 9:07 AM

    Morning Marc! (Yes, but you are 3 hrs ahead of me as I’m on west coast). You do love to ramble….but oh, yes I do enjoy reading what you think about in your rambling. So I’m going to ramble back at you a bit 😏

    What am I getting from this challenge? Well, the urge to pick up the brush every day, even if I don’t finish what I start (have to take time out to prep and teach my own classes). I’m currently trying to work looser, so really get a lot of motivation from your examples of life drawing sketches. In both my watercolour and Urban Sketching classes I have encouraged my students to practice outside of class time which is only once a week. I told them about the challenge, but hey, they are seniors (so am I for that matter) and they don’t want to try to learn how the Vivify platform works. Most don’t use social media either. They also only want to work from photos, so I assign them homework, like 15 minute painting sessions, just fruit and vege’s out of their frig, a houseplant, a pet, or something seen from their condo balcony. Anything that’s from life.

    Also, I get where you are unsure where you might go next with your sketching and painting practice. I’m in that transition zone too….as no longer enjoy the technical aspects of doing a painting with a lot layering and steps. I’m impatient and want to just paint quickly, you know, throw the paint around with drips and spatters and lots of charging colours wet on wet. I find it easier to paint in a more impressionist style with acrylic than watercolour. I know what to expect whereas with watercolour I don’t, and you get what you get when letting it just do it’s own thing.

    I won’t likely have 30 paintings by the end to prove I painted every day, but hey, I’m participating which is the main thing, right? I also try to get out to the Urban Sketchers Vancouver meetups when I can. More fun to go sketch and share with a group of like minded people.

    Looking forward to seeing what you do next. Cheers, and have a great day! Peri

    • Marc Taro Holmes's avatar
      June 16, 2026 2:21 PM

      Lots of good truths in here! The goal of thirty in thirty is always something of a ‘fakeout’; it really doesn’t matter, it’s just there to lead us by the nose – so you are right! Take the inspiration and don’t even worry about counting them up. And yes, I do think it is something about getting older. A lot of artists that I knew years ago are like us, finding their relationship with art changing. I think it’s inevitable as we get to the point where we don’t have as much need to make art to impress people. Certain things are no longer worth the effort (crazy amounts of preparation or polish). If you never did enjoy the process of making, but you were doing it to ‘make masterpieces’ – but now it’s not paying for your rent or food or bringing you your fame – you don’t find yourself striving so hard. And yet you have all this artistic experience and a desire to do something rewarding with it – so yes! Some people just stop, other people start becoming more abstract, some people take up a more forgiving medium entirely. I know one fellow who has moved to paper collage and is being super productive making surrealist things without the labor of drawing. So yes, I think this has been a terrific journey, being an artist. I often wonder what other people are living for as they don’t seem to have found the path of creativity :) :) hahah!

Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.