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Day 13 : #30x30DirectWatercolor2019 : Shots From Above

June 13, 2019

I was looking at the work of Chris Dahl-Bredine. He’s a photographer, and the pilot of some kind of odd-looking ultralight aircraft. His Instagram is full of fantastic shots – similar to what we’re becoming used to from drones – but he gets himself up there and sees it first hand.

This one is inspired by one of Chris’ photos. (Unfortunately, I’ve lost the link to the actual shot, but his whole page is worth a look – or a follow!).

I’m not sure why I’ve deviated today from my process – painting from my own sketches.

I suppose the issue is – I’ve never seen this myself, and the moment I did, I wished I had!

My sketches all come from my memory. What else? So – if never seen it, how can I paint it? And if I have seen it, how can I not paint it?

Other people’s work is sometimes an important launching point.

These days, the practice of painting from photos goes somewhat against the grain. We’re told by the art-zeitgeist that every work should be entirely our own creation. As if that was possible. There’s rather too much concern about copyright violations if you ask me. (Which you didn’t). Not that I feel people shouldn’t own their own work, of course, I do. Entirely so, when it comes to commercial use. But I feel – on the other hand – that artists should be able to use anything they see as inspiration. Anything and everything. All of history, and certainly all of the ocean of images that we call the internet. To do otherwise is to ignore the culture we live in.

I wrote about the practicalities of copyright-and-painting at greater length over here.

But! This goes against the grains of my goals for #30×30 – so – I’ll be back to working from my sketches tomorrow :)

4 Comments leave one →
  1. Miche's avatar
    June 13, 2019 10:31 AM

    Sometimes photo from others gave me so much inspiration I can’t stop to try to work with it.
    But I understand why I have to work with my own photo.
    My favorite photo is Sangre Cristo mountains for the color and the line of the mountains.
    I like your work it help me to see thing differently and work my paint more looser.

  2. Carmela Sunnyvale's avatar
    Carmela Sunnyvale permalink
    June 13, 2019 11:13 AM

    Georgeous earth tones–
    I’ve sometimes used Landsat imagery to trigger abstract compositions. If we use nature for inspiration, why not photos? why not aerial views?
    https://landsat.visibleearth.nasa.gov
    https://gisgeography.com/usgs-earth-explorer-download-free-landsat-imagery/

  3. Fernanda Fernandes's avatar
    Fernanda Fernandes permalink
    June 16, 2019 5:04 PM

    Hi Marc, once more I agree with you: one has to follow the works of the ones that are our source of inspiration and try to incorporate in our work the inspiration we got from their work! And you are one of my inspiration sources :-) Thanks Marc

  4. Karen Little's avatar
    June 16, 2019 9:49 PM

    Drawing from photos gives the artist a very complete accounting of scene details, whether those details end up in the final drawing or not.i love drawing people from photos not to get a photograph likeness but to see the contours of action that cannot be detected through seeing movement. IMHO, still studio models are a form of photo as they have to remain motionless during the time artists contemplate their form.

    I especially like drawing from video through stop frames or screen capture. It is amazing, foe example, to see how many views one can get of the ways shoes come in contact with the ground.

    In doing your work, Mark, see if you can find videos of the types of landscapes that move you to see how slight shifts alter perception.

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